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SETLIST SCIENCE.

BUILD NIGHTS THAT CROWD-SURF THEMSELVES.

Your setlist isn’t just a list of songs. It’s your battle plan. It’s the difference between an audience that’s slouching in their seats and one that’s leaping around, losing their minds, buying you drinks and begging for more.

STOP PLAYING JUKEBOX HERO

You’re better than that. Too many bands treat their setlists like random playlists. That’s bullshit. “Yeah, let’s whack this one in here, maybe that one next, see how it goes
”

No. You are not a Spotify shuffle. You are not a human jukebox. You’re in that room to control the night and have everybody going absolutely mental.

OPEN WITH INTENT

Your first song is your war cry. If you start with a slow-burner, you’re already losing.

Front-load the bangers. The first three tracks should be absolute weapons. Grab their attention before the idea of a bar crawl does.

Mid-set is where the energy sags. Don’t let that happen. Drop a surprise. Maybe an unexpected cover or a mash-up, something that snaps people back to the stage.

Close like you mean it. Your last two songs should be the ones people sing in the streets on the way home. Leave them wanting more, not checking their watches.

READ THE ROOM, DON’T JUST READ THE LIST

You’re not playing to a bunch of fucking robots. Your setlist should flex. If the room’s buzzing, ramp it up. If they’re flagging, don’t be afraid to call out for audience energy and hit them with a crowd-pleaser.

And for the love of all that’s rock ‘n’ roll, do not default to the clichĂ© of slowing things down a bit unless you mean it. If the room needs it and you sell it with confidence, then the room will absolutely lap it up. It can be magic.

But if you’re just filling space or apologising for a ballad, you’ll lose them. Read the energy, own your choices and bring the crowd with you. Control the rollercoaster.

MASTER THE FLOW

A killer setlist isn’t just about song choice. It’s about owning the flow of the evening. Here’s a few tips for you to get your chops into:

Key changes: Don’t make your singer jump from a low croon to a high screamer with no warning. It will be dogshit for the crowd.

Tempo: Don’t stack five slow tunes back-to-back unless you want the crowd to start texting their exes. Cos that bad breakup was way more bearable than what you’re offering.

Transitions: Nail your time between songs. Keep the dead air to a minimum, because the less time you spend tuning, clearing your throat and scratching your balls, the more time you spend owning the room.